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      <image:title>Blog - Low Notes, High Stakes: A Week in the Life of a Second Trumpet Part</image:title>
      <image:caption>First movement, rehearsal 22. Muted, piano, and a solo.</image:caption>
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      <image:title>Blog - Low Notes, High Stakes: A Week in the Life of a Second Trumpet Part</image:title>
      <image:caption>Second movement, from the trumpet part. The soft, articulated low solo at measure 81, and then the long soft solo after measure 107.</image:caption>
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      <image:title>Blog - Low Notes, High Stakes: A Week in the Life of a Second Trumpet Part</image:title>
      <image:caption>The same spot in the full score, before rehearsal 11: “II sola,” the solo cello in unison with my first note, pizzicato strings below, and a whole lot of empty staves.</image:caption>
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      <image:caption>And the footnote at the bottom of the score page.</image:caption>
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      <image:title>Blog - Low Notes, High Stakes: A Week in the Life of a Second Trumpet Part</image:title>
      <image:caption>End of the third movement. Fast articulations followed by dotted whole notes (in octaves with the tuba!) at the very bottom of the horn, each one fp with a swell, and then a nearly two-octave jump up to finish.</image:caption>
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      <image:title>Blog - What 13 Concerts in 16 Days Taught Me About Practicing - Make it stand out</image:title>
      <image:caption>The Pittsburgh Symphony trumpet section performing on the 2026 European tour</image:caption>
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